2018-10-05

TORY BURCH FW2018 Collection


TORY BURCH FW2018 Collection
“From Lee Radziwill’s effortless style to a field of carnations inspired by the drama of Pina Bausch’s Nelken... Romanticism defines the FW2018 mood. Feminine layers mixed with classic tailoring, a modern take on chintz, and contrasts of texture and print. Accessories carry these ideas through in bags and pointy-toe shoes." - Tory Burch




Silhouettes: Relaxed, yet refined with feminine details. Loose, fluid dresses with scarf hemlines balance tomboy jackets and trim blazers. Layered outerwear from a classic peacoat to a blanket poncho  adds to the effortless vibe.



Palette:
The palette balances ivory, pale pink and red with leaf green, deep burgundy and the brand’s signature Tory Navy.



Prints & Patterns: 
An eclectic mix speaks to the brand’s bohemian spirit. A modern take on chintz is interpreted in several colorways, and anchors a patchwork of florals set against stripes and classic checks.


Fabrications: 
The drama is in the details with new fabrications, finishes and textures. Soft, relaxed fabrics ranging from delicate lace and organza to wool and cashmere against a structured poplin, cotton chino and a bonded wool satin. Cascading ruffles are finished with an organza edge and a floral is interpreted as a velvet burnout, while top-stitch details on poplin and snap closures bring a sporty element.


Accessories: 
Accessories are pared back and refined, putting the focus on natural, effortless style. A handbag, named after Lee, in different fabrications and pointy-toe booties have clean, modern lines, while wishbone rings and a delicate medallion pendant necklace reference good luck talismans.


Music: 
Produced by Michel Gaubert; live performance by Chamber Orchestra of New York; Music Direction by Salvatore di Vittorio; and Violin Solo by Daniel Khalikov, decomposed by Max Richter: Vivaldi -The Pour Seasons: Spring 1; Unfinished Sympathy (Instrumental) by Massive Attack; Recomposed by Max Richter: Vivaldi -The Pour Seasons: Spring C.

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