Pierre Balmain, the Parisian house’s secondary
line, presents a glamorous wardrobe in black, white, grey and midnight blue
that takes men and women with a poetic, downtown style from day into evening in its Hong Kong store recently.
In the Paris presentation, the sinuous mood of
the collection is set by a short black and white film shot by Martial Schmeltz,
with art direction by Atelier Franck Durand. Inspired by late fifties, early
sixties French and Italian films, models Melissa Stasiuk and the darkly
handsome Adrien Sahores create a mating dance set to the haunting sounds of
Bruno Alexiu’s “Romy,” taken from Henri-Georges Clouzot’s 1964 unfinished film
project “L Enfer” (Hell).
Key looks are seen in
outerwear with a 3/4 wool coat with a trompe l’oeil bolero in stud-texture
leather, and another where the house’s biker zips and snaps mix with textual
wool and shearling. Tailored jackets have Balmain’s structured shoulder, while
the biker, with its multi-zippers, is worn loose and open. Dresses and tops go
cyber flapper with tiers of thick knit fabric fringe for a three-dimensional
effect.
Men’s looks are paired down and reduced to the most attractive
essentials; straight and narrow boyish jackets with biker details, basic
pullovers and a skinny no-nonsense biker jacket to wear with slim, rolled cuff
trousers and a straight, dark blue denim shirt. Sweaters go for a graphic
dimension with a full zip from neck to wrist for the basic crew shape, or bias
biker zips for the shawl collar pullover. Outerwear is clean, narrow in wool
bouclé sharpened by leather collars, pocket edging and
plackets for a graphic finish.
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