Audemars Piguet Royal Oak 40
Years global travelling exhibition arrived in Beijing at the Ullens
Center for Contemporary Art (UCCA) recently and held an opening gala to celebrate a journey through the origins of an iconic timepiece for 40 Years: From Avant-Garde to Icon.
After kicking off in New York, stopping in Milan then
Paris and its stint here in Beijing, the exhibition will continue to its final stop
in Singapore in October.The Audemars
Piguet Royal Oak, launched in 1972, is considered as the world’s first luxury
sports watch that broke the rules of fine watchmaking and sparked a complete
paradigm shift in the industry. To celebrate the 40th anniversary of this
world-famous iconic timepiece, the Swiss Manufacture from Le Brassus in the
Vallée de Joux has put together a unique and ephemeral global travelling exhibition.
In 1875, Le
Brassus in the Vallée de Joux became the birthplace of Audemars Piguet. Today,
to facilitate lovers of watchmaking from all over the world to perceive the
charms of the Vallée de Joux, the three artists Sebastien Leon Agneessens,
Quayola and Dan Holdsworth have used installation, photography, sound and film
in the exhibition to reflect Audemars Piguet’s origins, mastery and artistry as
well as to tell the stories of Audemars Piguet and the Royal Oak in an
unprecedented way.
SIHH as well as those set with the finest jewelry, the most complicated watches, borrowed pieces from the private collections of the most avid watch enthusiasts and limited edition pieces one would be hard-pressed to find in the market. The exhibition in Beijing will also have the privilege to showcase for the first time the number 10/100 of the platinum edition of the Royal Oak Leo Messi limited series, launched earlier this year in three versions of 1000 pieces worldwide. The number 10/100 of the limited edition platinum models will be up for auction at the brand’s official website in December. The entire proceeds of the auction will be donated to the Foundation Lionel Messi (Leo Messi Foundation) to help educate and treat underprivileged children.
The design behind the
exhibition lies in the creative hands of Sebastien Leon Agneessens, who drew
his inspiration from the origins of the brand in Le Brassus to create
installation works Fragments and Between Now and Then. Hundreds of tubular sticks of different heights symbolizing
the lush forests of the valley area are treated as organ-like sound sculptures
surrounding the exhibition. Fragmented mineral rocks typically found in the
Vallée de Joux, on the other hand, are made to be the showcase. The angular and
multi-faceted exterior of each of the fragments and its dark reflective metal
surface inspired by the Royal Oak creates a natural contrast with the wooden
interior that reflects Audemars Piguet’s long tradition and humble origins.
Each of these fragmented units is a journey of discovery of the origins and
savoir-faire of the brand.
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